Witching Chronicles: Exploring Pantheist’s Uncanny Times

There is a lot going on beneath the surface of Uncanny Times, and not all of it becomes apparent on the first listen. Pantheist have never been a band particularly interested in making things easy for their audience, but this seventh full-length is especially rewarding when you pay attention to the details. The familiar funeral […]

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Witching Chronicles: Exploring Gozu’s VI

Gozu are a funny band to pin down. You hear the opening riff of ā€œCorinthian Leatherfaceā€ and expect a fairly straightforward dose of Boston stoner rock, then Marc Gaffney starts singing and the song takes on an almost poppy character. Those harmonies are so far removed from the usual gruff delivery that I sometimes wonder […]

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Witching Chronicles: Exploring GOLD SPIRE’s Steps into Shadow

GOLD SPIRE are still an awkward fit for anybody who wants to keep their metal in clearly marked compartments. The saxophone and flute are too prominent to be treated as decoration, the doom/death metal is too important to dismiss as a bit of heaviness added to an experimental rock record, and the doom element gives […]

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Witching Chronicles: Exploring Love•Love•Love / Ƙlgod’s LƘVEGOD

Splits can be a bit of a gamble. Sometimes you get two bands that sound so alike that the whole thing could pass for a regular album by one group. Other times, the difference between the two acts is so pronounced that you wonder what brought them together in the first place. Love•Love•Love and Ƙlgod […]

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Witching Chronicles: Exploring MOON DESTROYS’s OMNI

Moon Destroys have a new singer, a new album and, to some extent, a different way of doing things. She Walks By Moonlight had plenty of room for hazy, drawn-out passages, whereas OMNI gets to the songs more quickly. The guitars are still thick with fuzz, the atmosphere is still there, but the melodies are […]

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Witching Chronicles: Exploring Irata’s Human

IRATA have been around since 2007, yet here we are with only their fourth full-length. Seven years have passed since Tower, and Human doesn’t sound like a band desperately trying to make up for lost time. Quite the opposite, actually. These eight songs take their time, sometimes to a fault, but there’s enough going on […]

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Witching Chronicles: Exploring WITCH RIPPER’s Through the Hourglass

There was always more to WITCH RIPPER than the sludge tag suggested. The Seattle quartet started out heavier and rougher, but HOMESTEAD already showed a band that wasn’t particularly interested in staying in one lane. THE FLIGHT AFTER THE FALL pushed the progressive side further. THROUGH THE HOURGLASS continues that move, although the biggest change […]

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